Hi my age is 28 and I am interested in becoming a specialist in VFX only. Currently I am a Team Lead in international BPO. I am good in photoshop & illustrator. I have worked …

It's something that there are a lot of options out there for, so it would be great to hear people's opinions on what they like to use for degraining plates, and what they've had th …

actually any non uniform curve besides the usual 2.2 ones Are there resources that describes the math/process without too much brain damage :P back story: Plates in shake were to …

I've heard so many thoughts on this over the years that I thought I'd chuck it out here and see what people think. What would you say that the advantages and disadvantages of blue …

Hi, I'm looking for the holy grail of using depth passes in compositing. Is it technically possible outputting a depth pass that is usable in comp without outputting per-sample da …

How is the playback problem solved on comp workstation (Nuke/Shake) at big companies? I imagine that not every workstation has fibre storage attached, and the memory capacity (esp. …

Hey all, Just wondering what people's thoughts are on Eyeon's Fusion. Eyeon seems to be completely stalled out, and Nuke has basically taken over the feature film compositing mark …

Hi All I am putting together a blog about linear colour space, and am looking for the kodak test image Marcie.cin 2k file does anyone know where I can find it please? thanks, Ia …

Hi all, I'm trying to figure out some maths at the moment, and was hoping someone might know what happens inside the theoretical camera lens... What I'm trying to get a function …

Hi all, I haven't touched any vfx compositing for a while. I used to get my compositing fixes taken care of by good old Shake but since then Nuke, Combustion and what not have sur …

I've had a bit of a problem for a while - we're currently OSX-based, and I've got a number of Shake plugins that I've written, all of which work fine (well, apart from the odd bug …

Hi all - as a first question, I'd be interested to know what approach others are using to replicate digital sensor noise when comping elements into digitally sourced footage. Also …